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Charles R. Fox
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  Show Strategy: Visceral Style



  Visceral Style and Aural Confusion »

The chaotic, disjointed, and visually heightened realism of the "Cops" reality show, will be the image metaphor for All Access'.


We will be shooting in dark and airy arenas, barns/sheds, indoor venues, and various staged settings that usually display nominal beauty,

A strict and divergent theory of mixed media, radical light design, dynamic sound sculpting, manic cutting, and other active style enforcement will be adopted as our visceral design scheme.

A hybrid amalgam of Beakman's World , Parker Lewis , and the visual posturing of Natural Born Killers !

Very hard and frenetic aural reinforcements to the visual stimuli that envelopes the program design, in hard counterpoint.

Happy Cam Metaphors/Clichés

Hand-held camera/Steadicam rigs, etc..

Virtual Reality - Visual Stimuli

Show-Tech I-Beams & VariLites, etc.

Gear/EFX capabilities...

"it's always in the truck" »

Anytime we need to have some type of equipment or other fancy item, it will always be, "in the truck."





Website by Chuck Fox & ThinkVision Creative Media


Stage Manager
Hawk Larsen
 
Production Manager
Jolly Roger
Lighting Director
Scottie Night Light
Monitor Mixer
Andrea Christian
FOH Sound Engineer
Mike Ally
Gutiar/Gear Roadie
Crash Mumps
Band Manager
Bucky Rotman
Video Projection
Tom Kronie
Truck Driver
Monkey from "Nam"
Merch/Swag
Cricket Habbuldasson
Make-up & Stuff
Cindy Wilson
Bus Driver
Milton Diehl
Ensemble Players
Characters